Itemize Regarding Books Count Zero (Sprawl #2)
| Title | : | Count Zero (Sprawl #2) |
| Author | : | William Gibson |
| Book Format | : | Paperback |
| Book Edition | : | First Edition |
| Pages | : | Pages: 308 pages |
| Published | : | March 7th 2006 by Ace Books (first published 1986) |
| Categories | : | Science Fiction. Cyberpunk. Fiction. Science Fiction Fantasy. Dystopia. Novels. Fantasy |
William Gibson
Paperback | Pages: 308 pages Rating: 4.01 | 42902 Users | 1110 Reviews
Ilustration In Pursuance Of Books Count Zero (Sprawl #2)
A corporate mercenary wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him, for a mission more dangerous than the one he’s recovering from: to get a defecting chief of R&D—and the biochip he’s perfected—out intact. But this proves to be of supreme interest to certain other parties—some of whom aren’t remotely human...List Books In Favor Of Count Zero (Sprawl #2)
| Original Title: | Count Zero |
| ISBN: | 0441013678 (ISBN13: 9780441013678) |
| Edition Language: | English |
| Series: | Sprawl #2 |
| Literary Awards: | Hugo Award Nominee for Best Novel (1987), Nebula Award Nominee for Best Novel (1986), Locus Award Nominee for Best Science Fiction Novel (1987), British Science Fiction Association Award Nominee for Best Novel (1986) |
Rating Regarding Books Count Zero (Sprawl #2)
Ratings: 4.01 From 42902 Users | 1110 ReviewsWeigh Up Regarding Books Count Zero (Sprawl #2)
it involved the idea that people who were genuinely dangerous might not need to exhibit the fact at all, and that the ability to conceal a threat made them even more dangerous. William Gibson, Count Zero I haven't read Sprawl # 3 (Mona Lisa Overdrive), but after reading Neuromancer and now 'Count Zero', I think I will start referring to the Sprawl trilogy as the Sprawl Dialectic. 'Neuromancer' = Thesis. 'Count Zero' = Antithesis, so I guess I have to wait to see if 'Mona Lisa Overdrive' =I would perhaps complain that the ending was a bit to deus ex machina for my taste, but then the entire book is wound around the theme of god being in the machine. From the vodou loa who seemingly possess various characters and steer the entire plot; to the mad European trillionare who has reached near immortality through preservation vats and virtual reality; to the insane former net cowboy who now believes he has found god in the random yet deeply moving works of art created by long abandoned
Following the resounding success of my Locus Quest, I faced a dilemma: which reading list to follow it up with? Variety is the spice of life, so Ive decided to diversify and pursue six different lists simultaneously. This book falls into my FINISHING THE SERIES! list.I loves me a good series! But I'm terrible for starting a new series before finishing my last - so this reading list is all about trying to close out those series I've got on the go...A quick look at the numbers...Why is it that
Not the blinding, genre-defining supernova of Neuromancer -- that pretty much only happens once per author or once per series -- but a stronger book in pretty much every way that matters, and proof positive (not needed now, certainly, but probably much more welcome back in the heady days of the late 1980s) that Gibson was not a one-hit wonder.Events pick up about seven years after the close of Neuromancer, with an entirely new cast of characters (although there are a few Neuromancer cameos
This is the middle book of the Sprawl Trilogy by Gibson (in between Neuromancer and Mona Lisa Overdrive), and my absolute favorite. The other two are largely action-based, and this one had a lot of that but also a lot of beautiful descriptions, somewhat mystically-oriented plotlines, and it really drew me in, probably because I'm no stranger to cyberspace myself. I really loved the ending, so much that I re-read it twice before moving on."Bobby had been trying to chart a way out of this
A Modish Synopsis, A Modest Assemblage, A Little LookseeIt's a whole long story, and it's open to interpretation. Each chapter begins with a pronoun, or two. And then it's off like a robber's dog. I decided you and I might hit the matrix for a little looksee. You followed, forgetting your fears, forgetting the nausea and constant vertigo. You were there, and you understood this was our space, our construct. It came on, a flickering, non-linear flood of fact and sensory data, a kind of narrative
With each review I write, I become increasingly daunted by a sense of infinite possibility. I have an entire book, this Count Zero, to write about what in the world should I focus on? The question in turn gives rise to an equally haunting sense of relativism. Is this book good? Sure. Is this book bad? Sure. With few exceptions, a good book is not infallibly so nor a bad book insurmountably so. Rather, the goodness or badness is a choice I, the reader, must make.Yet when I make that choice to
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